Teen Ink

Bibliographic Information: Teen Ink (magazine). Newton, MA: The Young Authors Foundation, Inc.

Plot/Content Summary: Teen Ink is a magazine that does not employ writers, reporters, or artists.   The content of the magazine is entirely made up of submissions from teens from all over the country.  Topics covered are diverse, from health issues to discrimination, teen activism to sports.  Teens write fiction and non-fiction and provide paintings, photographs and other forms of artwork for the magazine.  Each monthly issue contains articles written around specific themes, in the December 2011, issue the themes were “Celebrating the Season” and “Sibling Stories.”  The magazine is organized with the following “sections:” Art Gallery, College Directory, College Reviews, Community Service, Environment, Feedback, Fiction, Health, Heroes, Nonfiction, Points of View, Poetry, Pride & Prejudice, Reviews: Book, Reviews: Movie, Reviews: Music, Reviews: Video Games, Sports and Travel & Culture.  The wide range of topics covered provides a place for teens with varying interests to enjoy both reading as well as contributing to Teen Ink.

Critical Evaluation: Teen Ink is packed full with interesting and high quality writing and artwork.  The honest, authentic teen voices that can be found throughout the pages of the magazine lend it depth and significance.  The teen contributors to Teen Ink, both young women and young men, are creative and intelligent, interesting and interested.  Teen Ink provides an opportunity for teens to become published writers and artists, “Hundreds of thousands of students have submitted their work to us and we have published more than 45,000 teens since 1989,” (Teen Ink: About Us, n.d.).  Teen Ink empowers and engages, it provides an important forum for teens to exchange ideas and discuss issues important to them.  It is by teens and for teens making it a great resource for information and inspiration.  The magazine is used in English, creative writing, and journalism classrooms across the country.  Several books have been published by the Teen Ink organization, they are entitled Teen Ink and contain themed collections of essays gathered from the magazine.  The Teen Ink website contains content from the magazine as well as content unique to the web and is an additional place for teens to engage and exchange thoughts, feelings, and ideas.

Genre/Format: Print and Online Magazine

Reading Level/Interest Age: Ages 14 -18

Challenge Issues: There are many real issues that young adults deal with covered in this magazine, so there might be a challenge to some of the content.  However, this magazine has been praised by The New York Times, The Boston Globe, Teacher Magazine and many more.  In response to challenges, one can refer to the library’s collection development policies.

Why is this magazine included? Teen Ink is the perfect magazine for older teens of both genders to include in a library collection.  I found it when I was in search of interesting and independent teen magazines that do not simply repeat the same beauty tips and celebrity gossip as many magazines on the market.


Precious directed by Lee Daniels

Bibliographic Information: Daniels, L. (director). 2009. Precious, Based on the Novel “Push” by Sapphire (DVD). Santa Monica, CA: Lionsgate.  ASIN: B002VECM4A.  110 minutes, Movie Rating: R.

Plot Summary: Clarisse “Precious” Jones is sixteen, pregnant, illiterate and living a life of unimaginable horror and suffering.  The physical and emotional abuse, that Precious endures at the hands of her mother is so brutally and meanly inflicted, that most viewers will wonder how a person could be so incredibly cruel.  Precious lives with her mother. Her father only appears every so often, and his visits resulted in the rape and impregnation of his daughter Precious.  The depths of abuse and cruelty leveled at  Precious might make another person crumble, but she pushes forward. She keeps trying to make a life for herself, dreaming, in beautifully filmed fantasy sequences, of being a much adored star.  When she is kicked out of her high school for being pregnant, Precious attends an alternative school. There, Precious has a teacher who believes in her students, often when they do not even believe in themselves. At her new school, Precious finally learns to read and write and she literally and figuratively finds her voice.

Critical Evaluation: This film is intense.  I expect that people familiar with the type of abuse and suffering Precious is subjected to, could experience some level of post traumatic stress.  Others, who have been fortunate enough not to have experience with this level of cruelty and brutality will likely find themselves in disbelief.  But, there is something about the acting and directing and scenery and dialogue that forces us to look at Precious’s life and recognize that there are people who suffer in similar ways.  Even those viewers who do not want to believe will be hard pressed not to, given the gritty realism of the film.  There is sadness and such devastating circumstances that viewers could become overwhelmed by emotion, but there is a tempering force.  Precious is strong, sometimes witty and often triumphant, and these moments, make worthwhile the viewer’s endurance of the suffering in the movie.

Critics loudly applauded this film; it received numerous awards and nominations, fifty film organizations nominated Precious for a variety of awards, the film won several of these.  Here are some highlights:

  • The 2010 Academy Awards: Best Supporting Actress, Mo’Nique (Won); Best Writing (Adapted Screenplay), Geoffrey Fletcher (Won); Best Picture, Precious (Nominated); Best Director, Lee Daniels (Nominated); Best Actress, Gabourey Sidibe (Nominated); Best Film Editing, Joe Klotz (Nominated)
  • The 2010 Golden Globe Awards: Best Motion Picture – Drama, Precious (Nominated); Best Performance By An Actress In A Motion Picture – Drama, Gabourey Sidbie (Nominated); Best Performance By An Actress In A Supporting Role In A Motion Picture, Mo’Nique (Won)
  • Independent Spirit Awards: Best Feature, Precious (Won); Best Director, Lee Daniels (Won); Best Female Lead, Gabourey Sidibe (Won); Best Supporting Female, Mo’Nique (Won); Best First Screenplay, Geoffrey Fletcher (Won)
  • NAACP Image Awards: Outstanding Motion Picture, Precious (Won); Outstanding Independent Motion Picture, Precious (Won); Outstanding Actress in a Motion Picture, Gabourey Sidibe (Won); Outstanding Supporting Actress in a Motion Picture, Mo’Nique (Won); Outstanding Writing in a Motion Picture, Geoffrey Fletcher (Won); Outstanding Directing in a Motion Picture (Theatrical or Television), Lee Daniels (Won); Outstanding Supporting Actress in a Motion Picture, Mariah Carey (Nominated) and Paula Patton (Nominated); Outstanding Supporting Actor in a Motion Picture, Lenny Kravitz (Nominated)

An extensive list of awards and nominations for the film can be found here.

Reader’s/Viewer’s Annotation: Abused and ignored Clarisse “Precious” Jones is sixteen, pregnant, and illiterate.  When she gets kicked out of school for being pregnant, she starts attending an alternative school, with a teacher who believes in her, and her journey toward a life of her own begins.

Information about the Author/Director: In addition to being a director, Lee Daniels is an actor and a film producer.  Notably, he produced the highly acclaimed film Monster’s Ball for which Halle Berry won the Best Actress Academy Award and which won the Best Screenplay Academy Award as well (Lee Daniels, n.d.).

Genres: Drama

Curriculum Ties: Discussions of poverty, abuse, acceptance, self-respect, self-esteem

Reading/Viewing Level/Interest Age: Ages 14 to adult

Challenge Issues: Violence; Emotional Sexual, and Physical Abuse; Mature Language.  In response to any challenges, one can refer to the library’s collection development policies.

Why is this film included? While this movie is difficult to watch and painful at times, it also sends a message of hope and the strength of the human spirit.  It is feels frightening real and provides a voice to Precious, and other young women, who deserve to have their voices heard.

References:

Lee Daniels. (n.d.). Retrieved from http://en.wikipedia.org/wiki/Lee_Daniels


The Absolutely True Diary of a Part-Time Indian by Sherman Alexie

Bibliographic Information: Alexie, S. (2009). The Absolutely True Diary of a Part-Time Indian. Forney, E. (Illus.). New York, NY: Little, Brown Books for Young Readers.  ISBN: 0316013692.  288 pages.

Plot Summary: “My parents came from poor people who came from poor people who came from poor people, all the way back to the very first poor people.” Fourteen-year-old Arnold Spirit, Jr., called Junior by his friends and family, lives on the Spokane Indian Reservation. His best, and only, friend Rowdy protects him from kids on the “rez,” who use Junior as a punching bag. He is teased and picked on because he’s skinny, he wears glasses, he lisps, and, according to him, “Everyone on the rez calls me a retard about twice a day.” But, Junior is smart and thoughtful, he’s an aspiring cartoonist, and he has managed to eke out a small amount of hope for his future. He makes the life-changing decision to leave the rez school to attend Reardon, a school 22 miles from the reservation, with only white students in a wealthy, all-white town. Students at Reardon are high achievers, both academically and in athletics. Will Junior’s Indian community feel betrayed by his decision? Will the kids at his new school open their hearts to him? Readers will root for this unassuming, honest, witty and smart protagonist, as he makes his way through the murky waters of growing up and self-discovery.

Critical Evaluation: Alexie’s honest, authentic writing tells Junior’s story with intimacy and feeling.  And while this book reads like a memoir, it is fiction, but heavily based on Alexie’s own life.  Readers get the opportunity to be present for day-to-day life as well as some of the more dramatic moments of Junior’s life, and through it all Alexie’s dry wit and social commentary are meaningful and not at all didactic. The complex issues of race and class intersect, intertwine, and give readers plenty to think about.  Part devastatingly sad, part funny, and part hopeful, this coming of age story provides pause for thought about life’s complexities, as well as some of its most simple, and basic, pleasures.  Alexie’s is an important voice in young adult literature, as there are very few books depicting contemporary Indian Reservation life.  Though Junior is fourteen, the novel’s content is mature enough to keep older teens engaged.  In fact, the many levels of this book would likely be best understood by teens older than the main character.  While the content is often heavy, the writing is accessible for a wide range of reading levels; this book, with its many cartoon illustrations, is enjoyable to read, and could be a great choice for reluctant readers.  The Absolutely True Diary of a Part-Time Indian won the National Book Award

Reader’s Annotation: Junior’s life takes a dramatic turn when he decides to leave the Spokane Indian Reservation school for an all-white school in an affluent town 22 miles away from his reservation home.

Information about the Author: Sherman Alexie is an author, a poet, and a filmmaker.  He has written 22 books, and has received numerous honors for his creative works.  Alexie has a strong voice and does not shy away from controversy (see “Challenge Issues” below). He is a frequent public speaker and an advocate for Native American Youth.

Genre: Issue, Realistic Fiction

Category: Issue: Social Concerns: Racism; Issue: Life is Hard: Multiple and Unique Issues, Outsiders

Topics Covered: Growing up, American Indian, Indian reservation, racism, poverty, discrimination, Bullying

Curriculum Ties: This book would provide plenty to talk about for a high school English or social studies class

Booktalking Ideas:

  • “I think Rowdy might be the most important person in my life. Maybe more important than my family. Can your best friend be more important than your family?” (p. 123)

Reading Level/Interest Age: Ages 14 to 19

Challenge Issues: This book contains a lot of cursing and references to sexuality.  It also exposes readers to poverty, racism, hatred, sadness and grief, things that some adults feel they need to protect young people from.  Alexie’s own experience of hearing from teens that this book speaks to them and they appreciate its honesty is discussed in his Wall Street Journal Blog piece, entitled Why the Best Kids’ Books Are Written in Blood.  More information about censorship of The Absolutely True Diary of a Part-Time Indian can be found in the Blog of The Office for Intellectual Freedom of the American Library Association.

Why is this book included? This book is included for several reasons.  1) Authentic American Indian voices are underrepresented in American literature in general, and in young adult literature in particular, so it is important that Alexie’s voice is heard and available for young people to read. 2) It is a great book, funny, poignant, and gives us all a lot to think about.  I enjoyed it a lot and think you will too.  3) Related to #2, it won the National Book Award among other honors and was highly critically acclaimed.

References:

Alexie, S. (2009). The Absolutely True Diary of a Part-Time Indian. New York, NY: Little, Brown Books for Young Readers.


Teen Voices

Bibliographic Information: Teen Voices (magazine). Boston, MA. ISSN: 10747974.

Plot/Content Summary: Teen Voices is not your average teen magazine.  It is a print and online magazine for teen girls, BY teen girls.  The mission: “Teen Voices supports and educates teen girls to amplify their voices and create social change through media.”  Teen Voices is not just a magazine but a non-profit organization that supports teens’ development in creating the magazine and mentors teens through the process.  Teen Voices also supports teen girls’ leadership development and social justice awareness and activism.

Articles in Teen Voices cover a wide breadth of topics, like arts and music, book reviews and author interviews, diversity and equality, food, health, the media, careers, teen activism, relationships, social networking.  The magazine also includes fiction and poetry written by teen girls.  Recent articles include:

  • Recent Events in Egypt from a Girl’s Eye View
  • Girl’s Hurt by Gang Violence
  • Got the Knowledge to Go to College? Teen Voices Helps You on Your Way!
  • When Relationships Get Tough, Can They Be Too Rough?
  • Got the Facebook Blues?

Critical Evaluation: The content of Teen Voices, like the voices it represents, is diverse and intelligent.  Since teens are creating content, the magazine is highly relevant and authentic.  Articles cover real-life issues and, while there is always room for fun, the magazine addresses young women as competent, intelligent people with the ability to think and analyze and question the status quo.  Other teen magazines, with their emphasis on appearance and social status, do not compare to the depth and strength of the content in Teen VoicesTeen Voices and its staff have received awards and honors, that acknowledge the important and life-changing work that the organization does.

Genre/Format: Print and Online Magazine

Reading Level/Interest Age: Ages 14 -18

Challenge Issues: There are many real issues that young women deal with covered in this magazine, so there might be a challenge to some of the content.  However, this magazine has won awards and has a positive review in School Library Journal.  In response to challenges, one can refer to the library’s collection development policies.


The Hunger Games by Suzanne Collins

Bibliographic Information: Collins, S. (2008). The Hunger Games. New York, NY: Scholastic Press.  ISBN: 0439023483.  384 pages.

Plot Summary: Reality TV.  A competition.  A game.  Contestants fight for scarce resources, form alliances and betray each other, suffer harsh physical environments, confront situational challenges created by the people running the game.  But this is no ordinary reality TV show.  The stakes are much higher.  Win and you’re set for a life of comfort and wanting nothing.  Lose and you’re dead.  And so go the Hunger Games, which take place in the future in a country called Panem, a ruined land that was once North America.  “The Capital” of Panem is a place of excess and great power, as compared to the 12 districts, poor, isolated, and remote, under its control.  It is from these districts that the 24 contestants of the Hunger Games are randomly chosen, one boy and one girl from each district, chosen from all children ages 12 to 18.  When her beloved little sister, Prim’s, name is pulled out of the glass ball for district 12, 16-year-old Katniss Everdeen volunteers to take her place.  Volunteering is unusual, but not against the rules, so Katniss and her male counterpart, Peeta Mellark, a boy she knows from the town, are off to the capital to prepare for and participate in the games.  There can only be one winner.  How will Katniss play the game?  Will she make it out alive?

Critical Evaluation: The Hunger Games is at once gripping and disturbing, compelling and stark.  Collins manages to bring humanity to inhumane circumstances.  Relationships within the Hunger Games are naturally fraught with mistrust and uncertainty; Collins skillfully presents the complexities of these situations.  The book raises questions about what price is worth paying for survival and what price is worth paying for someone you love.  Collins has created in Katniss, a character with an unusual amount of depth and complexity, leaving readers relating to and empathizing with her one moment and wondering what she could possibly be thinking the next, but always, right there with her.  The book also presents a bleak look into a possible dystopian political, social and environmental future.  With ever-unfolding drama and danger, this is a book most readers will not be able to put down.  Not for the faint of heart, due to its weighty – and brutal – subject matter, The Hunger Games is crammed with topics for thought-provoking class or book club discussions.

Reader’s Annotation: When her beloved little sister, Prim, is chosen, 16-year-old Katniss Everdeen volunteers to take Prim’s place in The Hunger Games.  The Games, run by the government, are a brutal competition, broadcast live throughout the country, where the winner of 24 contestants is the only one who comes out alive.

Information about the Author: Suzanne Collins started her writing career in children’s television.  She wrote for several children’s and preschool TV programs and then wrote the first book of a five book series called The Underland ChroniclesThe Underland Chronicles is described as a “fantasy/war series” on Collins’ website (www.suzannecollinsbooks.com).

The Hunger Games is the first of a trilogy and was published in 2008; the second book is Catching Fire and the third is Mockingjay.  The Hunger Games have won Collins great acclaim, selected honors include: YALSA 2009 Top Ten Best Books for Young Adults, 2008 Publishers Weekly‘s Best Books of the Year, 2008 The New York Times Notable Children’s Book, School Library Journal‘s Best Books of 2008.

Genre: Science Fiction, Adventure, Fantasy

Subgenres/Themes: Science Fiction: Adventure, Dystopia; Adventure: Survival

Topics Covered: Poverty, Discrimination, Reality TV, Abuse of power, Hunger, Friendship, Love

Curriculum Ties: Social Science, Political Science, Environmental Science, Philosophy, Television Culture

Booktalking Ideas:

  • Imagine yourself in the Hunger Games: Paint a picture for listeners, using Collins’ words, of the scene and the challenge.  Ask, “what would you do?”

Reading Level/Interest Age: Ages 12-19 to Adult

Challenge Issues: The issue most likely to be challenged is violence, as the book contains many and varied acts of violence, but the violence is not gratuitous, it is a integral part of the plot.  Preparation for any challenge can include the librarian’s: reading of the book, adhering to the library’s collection development department, and possessing reviews of the book from well-regarded sources.  Additionally, The Hunger Games has received many honors, some are detailed above in “Information about the Author.”

Why is this book included? A young adult collection without The Hunger Games would by incomplete.  The Hunger Games is well-written, compelling and exciting, but there is more to it than that.  The Hunger Games has the potential to make its readers think and grapple and even debate with highly significant philosophical, ethical, political and societal issues.  There is a lot of substance packed into this one book.


Catching Fire by Suzanne Collins

Bibliographic Information: Collins, S. (2009). Catching Fire. New York, NY: Scholastic Press.  ISBN: 0439023491.  391 pages.

Spoiler alert: This review discloses the ending of The Hunger Games.

Plot Summary: In Catching Fire, the second book in The Hunger Games trilogy, Katniss Everdeen and Peeta Mellark return home to district eight and begin an obligatory Victory Tour throughout the districts.  Katniss is still uncomfortable with, but getting used to, being the center of attention with her stylists and interviews and public appearances.  Katniss and Peeta’s survival of the Hunger Games makes them heroes with many in the outer districts, but Katniss’s manipulation of the games to end up with two victors leaves the capitol angry, and perhaps even vengeful.  When President Snow visits Katniss’s home in Victory Village, he makes it clear that the only way to assuage the capitol’s fury is to make sure all the people of Panem believe that Katniss is desperately in love with Peeta, thus explaining her defiance.  But, Katniss’s relationship with Peter is more complicated than ever and her best friend, and potential love interest, Gail does not help matters, as he seems to be distancing himself from her more and more.  And there are rumors that Katniss and Peeta’s Hunger Games performance has sparked talk of rebellion in the districts.  She survived the Hunger Games, can she survive this next chapter of her life, filled with uncertainty and, just as in the games, the constant fear of punishment by the capitol.

Critical Evaluation: Catching Fire was a much-anticipated follow up to the New York Times Bestseller and hugely popular The Hunger Games.  Though Catching Fire contained many of the most compelling and inspiring characters of The Hunger Games, and it was an interesting story, it did not quite measure up in excitement and suspense to its predecessor; though it is still a worthy read.  Admittedly, it would have been a difficult task for Collins to write book two of the trilogy with the same level of energy and tension as the first.  Catching Fire satisfies the reader’s need to find out what happens next, as Katniss and Peeta return to District Eight and begin their lives as “victors.”  Catching Fire is by no means slow moving, though the pace is more subdued, in parts, than the pace of The Hunger Games, probably due to the fact that much of Catching Fire takes place outside of the arena.  Collins introduces, in Catching Fire, additional – and intriguing – plot twists, and readers’ understandings of the main characters deepen.  There is still plenty of action and adventure and excitement, and The Hunger Games fans will need to read Catching Fire, so that they can then go on to read the final book in the trilogy: Mockingjay.   Critics were mixed about Catching Fire, and, while it did receive many positive reviews, there were others less complimentary.  Also, Catching Fire’s list of honors is significantly shorter than The Hunger Games’, but they include: Time Magazine’s #4 top fiction book of 2009, People Magazine’s #8 Best Book of 2009, and Publisher’s Weekly’s Best Book of the Year for 2009.

Reader’s Annotation: When Katniss and Peeta return home after their Hunger Games victory, more awaits them than they expect.

Information about the Author: Suzanne Collins started her writing career in children’s television.  She wrote for several children’s and preschool TV programs and then wrote the first book of a five book series called The Underland ChroniclesThe Underland Chronicles is described as a “fantasy/war series” on Collins’ website (www.suzannecollinsbooks.com).

Catching Fire is the second in the Hunger Games trilogy, The Hunger Games is the first and the third is Mockingjay.

Genre: Science Fiction, Adventure, Fantasy

Subgenres/Themes: Science Fiction: Adventure, Dystopia; Adventure: Survival

Topics Covered: Poverty, Discrimination, Reality TV, Abuse of power, Hunger, Friendship, Love

Curriculum Ties: Social Science, Political Science, Environmental Science, Philosophy, Television Culture

Booktalking Ideas:

  • How would you go about proving that you are passionately and deeply in love with someone when this is not true?

Reading Level/Interest Age: Ages 12-19 to Adult

Challenge Issues: The issue most likely to be challenged is violence, as the book contains many and varied acts of violence, but the violence is not gratuitous, it is a integral part of the plot.  Preparation for any challenge can include the librarian’s: reading of the book, adhering to the library’s collection development department, and possessing reviews of the book from well-regarded sources.

Why is this book included? As a sequel to The Hunger Games, I had to read Catching Fire to find out what happened next.  I expect other readers of The Hunger Games will feel the same way, so the entire Hunger Games trilogy deserves a place in a quality young adult collection.


Monster by Walter Dean Myers

Bibliographic Information: Myers, W.D. (1999). Monster. New York, NY: Harper Tempest.  ISBN: 0064407314.  281 pages.

Plot Summary: Sixteen-year-old Steve Harmon is on trial, as an adult, for felony murder.  He’s terrified. The prosecutor calls him and his co-defendant “monsters.” But, is he a monster, or is he innocent, as he claims? Steve is accused of being the lookout man in a convenience store robbery that ends with the murder of the store owner. But was he there? Uniquely presented in Steve’s voice, the book consists of first person journal entries as well as a movie script-style of story telling, complete with blocking and camera directions. Steve reports on what prison is like, how his trial is progressing and he looks back on the day the events took place.  Dealing with the complexities of racism, poverty, peer pressure, and freedom, readers will experience how painstakingly difficult the jury’s job is as they try to distinguish honorable from self-serving motives and truths from lies.

Critical Evaluation: Compelling and intense, Monster paints a picture of a young boy struggling with right and wrong, prejudice, and the pressure to belong. The honest first person accounts, and movie script-style, give the book authenticity and interest and draw the reader in to the story.  Myers uses realistic language and sets the scene with honesty and integrity.  Many teens will relate to various elements in Steve’s struggles, teens who have been incarcerated or who have committed crimes will hear themselves in some of Steve’s words.  The depths of Steve’s troubles give the reader empathy for his predicament as well as ambivalence about the crimes he is accused of committing. This book is better suited to more mature teens, due to its heavy subject matter, violence, and references to sexual assault in prison.  Monster received numerous awards and honors including: Michael L. Printz Award Winner 2000, Edgar Award nomination for Best Young Adult Mystery 2000, Coretta Scott King Award Honor 2000, National Book Award Finalist 1999, ALA’s Best Books for Young Adults 2000, ALA’s Recommended Books for Reluctant Young Readers 2000.

Reader’s Annotation: The maximum length of the annotation should be no more than two sentences

Information about the Author:  Walter Dean Myers has written somewhere around 100 books, mostly young adult realistic fiction. He has also written children’s picture books and nonfiction.

He was born in West Virginia, in August 1932 and was raised in Harlem, New York.  Myers dropped out of high school, but not before a teacher who recognized his writing talent, told him to “keep writing no matter what happened to [him.]”  He also loved basketball, which plays a role in several of his novels.  He calls his teen years the most difficult years of his life, and draws his writing inspiration from these years.

Genre: Issues, Mystery/Suspense/Thriller, Alternative Formats, Multicultural Fiction, Realistic Fiction

Sub Genres & Themes: Issues: Social Concerns: Crime and Criminals; Mystery/Suspense/Thriller: Contemporary Mystery; Alternative Formats: Mixed Formats

Curriculum Ties: Social Studies

Booktalking Ideas:

  • Discuss Steve’s predicament, what would YOU do?

Reading Level/Interest Age: Ages 14-18

Challenge Issues: Crime, Murder, Violence.  In response to any challenges, one can refer to the library’s collection development policies.  Also, there are several positive reviews of the book, and it has won several awards and honors, three are mentioned above.

Why is this book included? Hailed by critics, I chose to include Monster for its excellent writing and compelling storyline as well as several awards and nominations, as noted above.  I am also a big fan of Walter Dean Myers, so I wanted to include a title of his in my blog.  Monster was published in 1999, but the story of Steve’s struggles is timeless, and will continue to be current for many years to come. Additionally, Monster depicts an African American teen, providing much-needed ethnic diversity to the teen Mystery genre.